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Color Correction Made Simple.

Levanti Color is committed to providing top-tier color correction services at competitive rates, bypassing the overhead costs associated with large post-production houses.

From features, shorts, commercials, documentaries, music videos, to branded content and beyond, Levanti Color employs industry-leading tools and techniques to maximise your project’s visual impact. Whether your project demands a stylized ‘look,’ impeccable cleanliness and balance, or any style in between, you can expect outstanding results.

Flexible Sessions.

Levanti Color streamlines the process of professionally color correcting your project, making it more accessible than ever before.

Choose from a range of session options tailored to your needs: collaborate at my studio, at your properly equipped space, or opt for remote sessions conducted independently or via screen share.

Remote sessions extend services to clients worldwide, facilitating seamless collaboration regardless of geographic location.”

Industry Standard Workflows, Formats, and Equipment.

Native support for Red/Epic (R3D), ARRIRAW, Prores, DNxHD through DNxHR 444, BMD
CinemaDNG, XDCAM, DSLR footage, and all other major capture and editing formats.

Full support in up to real time for 1080p/2K/4K/6K resolutions in 4:4:4/4:2:2.

In-camera look metadata and extensive LUT support including film stock emulation and the optional addition of film grain.

XML, AAF, and EDL workflows supported.

Major color spaces supported including Rec. 709, Rec. 2020, and sRGB. DCI-P3 emulation is also available.

Levanti Color uses industry standard tools for all color correction sessions including Davinci Resolve software, Flanders Scientific color monitors, Blackmagic Design output equipment, full Tangent color control surface, fast data storage solutions, and the latest and most powerful computer components to achieve real time playback, grading, and rendering in a huge variety of formats and resolutions.

Professional Deliverables.

DPX, ProRes, DnxHD through DNxHR 444, Cineform, 1080p/2K/4K in 4:4:4, 4:2:2 and all other major output formats are supported.

Delivery options include round trip project with handles for XML and AAF workflows, or flattened video file of finalized color corrected project.

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